OST - Masaru Satoh (2001)

OST Masaru Satoh (2001) Genre: soundtrack

Tracklist:

1. Titles (the Bad Sleep Well)
2. Great Corruption
3. Threat
4. Two Men in Hell Valley
5. Happy Theatrical Music 1
6. Happy Theatrical Music 2
7. Iwabuchi Familys Piano 1
8. Spy Route
9. Making it Skillfully
10. Fear
11. Nishis Whistle 1
12. Expert Husbands Confession
13. Nishi and Yoshiko
14. Iwabuchi Familys Piano 2 (intro)
15. Iwabuchi Familys Piano 2
16. Preparation
17. Ruthlessness
18. Shirais Insanity
19. Nishis Feelings
20. I'am Dynamite (Unused)
21. The Truth
22. Nishis Photograph
23. Flight
24. Munitions Factory
25. Nishis Plan 1
26. Nishis Plan 2
27. Two Peoples Friendship
28. Wadas Complaint
29. 15m Ham and Eggs
30. How About the Next Meal
31. Yoshikos Thoughts
32. Unexpected Visitor
33. Yoshikos Wailing
34. Memories
35. Cunning Iwabuchi
36. Final Confession
37. Nishis Whistle
38. Rush of Events
39. Nishis Death 1
40. Nishis Death 2
41. Ending (the Bad Sleep Well)
42. Titles (Alternative Take)
43. Happy Theatrical Music 1 (Alternative Take)
44. Spy Route (Alternative Take)
45. Fear (Alternative Take)
46. Iwabuchi Familys Piano 2 (intro-Alternative Take)
47. Two Peoples Friendship
48. 15m Ham and Eggs (Alternative Take)
49. Ending (Alternative Take)
50. Wedding March (Wagner)
51. Southern Country Rose
52. Wedding March (Mendelssohn)

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About this artist

OST   / artists (O)
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(from discogs.com)

OST bio:

O.S.T. (Original Soundtrack, as well as a few other, less printable pseudos) is the one-man ambient/experimental electro project of DJ/producer Chris Douglass. A native of Edinburgh, Douglass left Scotland at the age of ten for San Francisco, where he's lived ever since. Raised on a heaping diet of John Coltrane and Max Roach (his mother is a jazz fanatic), he added early-'80s breakdance music to his list of influences when artists such as Egyptian Lover and Uncle Jamm's Army began defining the sound of California hip-hop and electro (Douglass himself spent his share of time perfecting backspins on squares of discarded cardboard and linoleum). Combining the above two styles with the more melancholic elements of British and European rock and Euro-pop groups such as the Smiths, Kraftwerk, and Morton Subotnick, Douglass began producing music in 1993, and released his first 12-inch on Detroit's Switch label (an arresting three-tracker of bizarre rhythmic noise experiments) the following year.

Although he originally planned on relocating to techno's birthplace, Douglass moved back to SF shortly after the Switch twelve was released and began working on an album for Jonah Sharp's Reflective label. The album never appeared, and that and a handful more of gone-nowhere EP and LP release plans with labels such as Skam and Plug Research have resulted in as many as 500 tracks and four complete albums lying dormant in Douglass' DAT cachet. O.S.T. material finally began appearing with more frequency starting in 1996, beginning with his remix of Spacetime Continuum's "Simm City" on the latter's Remit Recaps CD alongside the likes of Carl Craig, Autechre, and Higher Intelligence Agency. Subsequent twelves for Qlipothic and noted London label Worm Interface, as well as tracks for compilations on XLR8R and Plug Research (both under the name Rook Vallade), appeared in 1996 and 1997. Douglass also performs live periodically, appearing on bills in America and the U.K. next to such names as Spacetime Continuum, Derrick May, Eric Hill, and post-rockers Trans Am. ~ Sean Cooper, All Music Guide (from mp3.com)